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The artist has used the technique of Pate de Verre to cast antique christening robes in the process, the original robe will be burnt away in the kiln but the glass will formed in its place – creating a fragile but haunting reminder of what was there before.Alison Lowry is a glass artist living and working from her studio, ‘Schoolhouse Glass’ in Saintfield, Northern Ireland.
With a family history in lace-making and embroidery, Alison studied textiles, then developed her skills in glass making in a variety of techniques.
The first instalment launched at the Golden Thread Gallery, Belfast on the 3rd August 2017 and focused on Wilson’s more recent practice.
The second instalment, at the Millennium Court Art Centre, Portadown, 6th October – 22nd November 2017, features examples of work dating back to the early 1970s.
Accompanying the show will be a booklet featuring a newly commissioned essay written by Brussels based Irish curator, artist and historian Padraic E.
Moore, and a limited edition set of antique gold die struck pin badges which will also be on sale throughout the exhibition. 1985 Belfast, UK) BA Fine and Applied Art at the University of Ulster, Belfast (2005 –2008) Lives in Belfast and works at Platform Arts, Belfast.
[email protected] Banbridge uk Ceramics and its Dimensions is a project which examines European ceramics from the perspectives of the past as well as of the future, with its new possibilities. Ceramics and its Dimensions: Shaping the Future (Module 6) is one of the ten modules (sub-projects) of the project and led by Aalto University, School of Art, Design and Architecture, Department of Design, Helsinki, Finland.
The project has partner institutions in eleven different countries in Europe and it is co-funded through the Creative Europe program of EU and coordinated by the Porzellanikon Staatliches Museum für Porzellan, Hohenberg a. The sub-project consists of a workshop, a touring exhibition and a publication.She graduated from the University of Ulster with a first class Honors degree in Art and Design in 2009.She employs a range of techniques to create her sculptures, working with cast glass and pate de verre.Revealing links across various periods of production, an exhibition of works by Belfast-based artist Alistair Wilson, is broken into four parts and realised across two galleries.Encompassing selected works spanning forty years of production, the exhibition does not set out to provide a definitive survey of Wilson’s work to date, rather this extended exhibition draws together key works in an attempt to bring to the fore the prevailing themes and common characteristics present in Wilson’s practice.Frances Mc Donald writes, “Textiles may have provided the narrative…..powerfully expressed through the language of glass…strong and fragile, as well as being a poignant reminder of the vulnerability of life...”The exhibition features exciting collaborations, a new film based on glass shoes and a large dress suspended from the ceiling, raining down droplets into the gallery.