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Venus laughs, and points out the poetic justice: he too is small, and yet delivers the sting of love.
The dolphin, often elaborated fantastically, might be constructed as a spout for a fountain.
In the Greek tradition, Eros had a dual, contradictory genealogy.
He was among the primordial gods who came into existence asexually; after his generation, deities were begotten through male-female unions.
In contemporary popular culture, Cupid is shown drawing his bow to inspire romantic love, often as an icon of Valentine's Day.
The Romans reinterpreted myths and concepts pertaining to the Greek Eros for Cupid in their own literature and art, and medieval and Renaissance mythographers conflate the two freely.
Cicero, however, says that there were three Cupids, as well as three Venuses: the first Cupid was the son of Mercury and Diana, the second of Mercury and the second Venus, and the third of Mars and the third Venus.
This last Cupid was the equivalent of Anteros, "Counter-Love," one of the Erotes, the gods who embody aspects of love.
A variation is found in The Kingis Quair, a 15th-century poem attributed to James I of Scotland, in which Cupid has three arrows: gold, for a gentle "smiting" that is easily cured; the more compelling silver; and steel, for a love-wound that never heals.
complaining that so small a creature shouldn't cause such painful wounds.
Nor hath love's mind of any judgement taste; Wings and no eyes figure unheedy haste.
And therefore is love said to be a child Because in choice he is so oft beguiled.
At the same time, the Eros who was pictured as a boy or slim youth was regarded as the child of a divine couple, the identity of whom varied by source.